Category: On Writing


Speak from that place in your heart…

Henri Nouwen slays me…

“Speak from that place in your heart where you are most yourself. Speak directly, simply, lovingly, gently and without any apologies. Tell us what you see and want us to see; tell us what you hear and want us to hear….Trust your own heart. The words will come. There is nothing to fear….”  ~  Life of the Beloved: Spiritual Living in a Secular World

Thank you to Mark David Gerson for posting this on his blog yesterday.  It’s exactly what I needed to hear, particularly as I get into the habit of writing A LOT everyday (NaNoWriMo).

Here’s to pulling our words from that place in us which is most authentic.

NaNo ’09

rebelSo I’ve committed to the insanity otherwise known as NaNoWriMo, or National Novel Writing Month. Each November, over 100,000 participants around the world attempt to write a novel in 30 days.  The goal is 50,000 words (approximately 175 pages).  If I write every day of November, that comes out to 1,667 words, or 6 pages, per day.  I’ve never written anything remotely close — even in grad school, even when finishing my thesis.  But what the heck…

The thing is, I’m not writing a novel. I’m writing a memoir, which I committed to finishing this year in some god-forsaken previous blog post.  So according to the NaNo forums, I’m a NanoRebel… yeah, I like that.  They even gave us a special logo.

The official time starts in T minus 2 hours.  Here goes…

The Final Third

I’ve been working in threes recently… it’s unintentional, but everything seems to divide nicely into thirds. The memoir I’m writing has developed into three sections, the marketing system I’m creating is a three-part process, and today I am considering the last four months of this year, the final third.

There are also three commitments that I’ve made, things I want to accomplish by December 31, 2009 and I’ll share them here to kick the accountability up a notch.
1. Complete a full first draft of my memoir – part one is mostly finished, two and three, not so much…
2. Remember the Spanish I’ve forgotten over the years and reach a comfortable fluency. I would love to be able to offer coaching services in both English and Spanish next year.
3. Grow my business to reach the monthly income goal I’ve held for some time now. This is absolutely possible in the next four months.

I don’t know much about numerology, but I always find it interesting to see what certain numbers symbolize when they consistently show up in my life. Here’s some cool stuff I found on http://www.crystalinks.com/numerology2.html about the number Three:

    Three (3)

The third dimension – we do things in threes so they will manifest in our physical realm.

It’s roots stem from the meaning of multiplicity. Creative power; growth. Three is a moving forward of energy, overcoming duality, expression, manifestation and synthesis. Pythagorean three means completion.

Good! So here we go, into the final third…

Things I Did Today Instead of Writing

*  checked the mail (once in the morning for Saturday’s mail and once in the evening for Monday’s)

*  drove to Safeway in the Pearl to buy milk

*  checked my Twitter account about 8 million times

*  read through the awesome quotes people posted to the Awaken Consciousness Facebook group — thank you all!

*  changed my Chopra Center calendar to April even though it’s still March.  I’m ready for a new month.

*  took a nap

*  watched Dancing with the Stars

*  watched Castle

*  trimmed the pills from an old sweater (I promise, I could not make this stuff up)

*  put the dishes in the dishwasher

*  went to Amy’s for a massage

*  vacuumed the hall where the box spring has been sitting for months (thank you to the nice people from craigslist who came to get it last night!)

*  decided on a new jacket to order from Eddie Bauer, only to find out that it’s sold out

*  updated my Mint account to view the current status of my finances

*  read some stuff on Mashable to see what I need to know about social media trends

*  organized my passwords into one file so I will actually be able to find them when needed

*  scanned the NYT headlines and

*  jumped on the trampoline for a while

so you see…  there was hardly time to write!  =P

The Little Fox

My friend and fellow writer Adrianna Buonarroti introduced me to the little fox from Google’s tea house theme.  I am always curious what he is up to.  For instance, in the image below, he’s sitting on his pier with his lantern watching toy boats in the evening.  If you check back an hour later, he’ll be stargazing with his telescope.

The tea house theme for gmail depicts another view, on the opposite side his pagoda.  Sometimes he is picking flowers in his courtyard or as of five minutes ago, he is cooking dinner inside.  Why does this little guy’s activity intrigue me?  Perhaps it is simply another form of procrastination, one more thing to check out before getting down to the business of writing.

tea-house1

MFA Notes: Barry Lopez

Barry Lopez spoke as a visiting writer at Pacific University’s MFA program winter residency.  I loved his introduction: “When you show up, you bring big trouble.”  This from the soft-spoken writer who documents the connection between land and people.  He answered the questions: Who are you?  Where are you from?  and Why are you here? in a sense, teaching us by example what we need to do in our writing as we claim the authoritative voice.  Barry pointed out though, that the reader is the one who grants the authority.

“To write,” he said, “is to enter into a moral relationship with oneself and with the community.”  Having the ability to write down what you mean, and a stranger being able to comprehend it, truly, “you are in the landscape of miracles.”

Barry shared a beautiful word, the Japanese kotodama, which means the soul or spirit of a word, the spiritual interior of a word itself.  He reminded us that we must write with a bow of respect to the material and to the reader.

MFA Notes: Kim Barnes

Kim Barnes, author of the new novel A Country Called Home (and my thesis advisor!) told us, “Even if it’s a personal story, it’s NOT ABOUT YOU.”  That statement will forever change the way I think about memoir.  There is always a much larger, more universal, story surrounding any of the events we write about.

She reminded us that our service must be to the story first, to the craft, not to our personal experience.  We are to “shine the light of why onto the what of the essay.”  The “what” in nonfiction is always false tension; the actual tension lies in the “why,” the emotional arc of the story.

MFA Notes: Kwame Dawes

I can still hear poet Kwame Dawes saying, “born at de right time,” in his smooth Jamaican accent.  He opened his craft talk with a brief biographical sketch: born in Ghana where he heard stories of glorious Jamaica from his father.  When he moved with his family to the island, he discovered a far different place and culture than he had imagined.  “I was trying to find home,” he said.  Was he a Jamaican living in Africa or an African living in Jamaica?

Questions surfaced regarding the search for self in art.  How do we fit into the works created by authors in other lands, other cultures?  How does their writing define our own culture?  Or how do we place ourselves in art that does not typically include people like us or cultures like ours?

I did not realize at the time that Kwame’s book on the lyrics of Bob Marley is the most authoritative text on the subject.  Kwame spoke of how Marley wrote the narrative of Jamaica and the culture through reggae.  It was a “present music” including both the collective history and the events of the day.  We were left with a reminder to “be engaged in what makes the times what they are.”

MFA Notes: Jack Driscoll

Jack Driscoll described what he attempts to do through writing, “To speak what it feels like to be human.”  As far as I’m concerned, he could have ended his craft talk there and left us with the inspiration and invitation to go forth and attempt it for ourselves.

He encouraged us to “undress” our characters, literally (if that happens to be part of the story) and metaphorically.  To allow the inner-workings of a character’s heart and psyche to be communicated to the reader.  We must know them that intimately.

Jack presented the 3 Ms as a way to avoid writing flat, insipid characters:
1.    Motivation
What compels them? Does the story make it clear why?
2.    Motion
The way the character takes aim at whatever stands in her way.
3.    E/motion
Desire/Trouble/Redemption

Dorianne Laux on Writing

I’m reposting this from wherever I got it….  such an important reminder, and often, essential inspiration.  “I write to be done writing” resonates with me.

Why Do I Write

by Dorianne Laux

I have recently begun to think of writing as what Susan Sontag calls “a wisdom project” in her forward to Another Beauty, a collection of autobiographical essays by the great Polish poet Adam Zagajewski.

“…autobiography is an occasion to purge oneself of vanity, while advancing the project of self understanding—call it the wisdom project—which is never completed, however long the life.”

I am still hard at work on this project of the self. The solitary self, as well as the self in relation to the world and the unknown universe we swirl around in, uncertain of our purpose or future. When I wrote the poems that would become my first book, I didn’t think of it as a book, but rather as a need to understand the basic questions that all human beings ask: Who am I? Why am I here? Where am I going? What is beauty? Why is there suffering? Where is truth? These questions would arise in me in the form of poems, and in making the poems into a collection, I tried to arrange them in a shape, find a path for them to travel to make clearer those questions. I write to know the questions.

Poem after poem, book after book, the ante is upped. I think this could be why it takes so long between books. The poet is working harder each time to go deeper, farther, layering on or stripping away to find the exact color or texture, the core or the root, the frail light or the watery dark. I write to work things out. I write to concentrate, to feel a sense of purpose rise up in me. I enjoy the struggle of making a new object to present to the world, a gift made from scratch– whole, unique, edible as bread. And I want that gift to travel well, packed into an old boat on calm water or hidden inside a greased body diving into a blue pool, a sleek arrow that leaves a feathered silence and wonder in its wake. I like moving, word by word, toward a sense of discovery, toward an awareness of self– a curious, energetic, intelligent, sacred, baffling, depthful, heartful self. I work to find my subject, something I can sink my teeth into. I live for that flaring up of language, when the words actually carry me, envelope me, grip me. And all the above is why I read poetry, to hear the truth, spoken harshly or whispered into my ear, to see more clearly the world’s beauty and sadness, to be lifted up and torn down, to be remade, by language, to become larger, swollen with life.

I write to add my voice to the sum of voices, to be part of the choir. I write to be one sequin among the shimmering others, hanging by a thread from the evening gown of the world. I write to remember. I write to forget myself, to be so completely immersed in the will of the poem that when I look up from the page I can still smell the smoke from the house burning in my brain. I write to destroy the blank page, unravel the ink, use up what I’ve been given and give it away. I write to make the trees shiver at the sliver of sun slipping down the axe blade’s silver lip. I write to hurt myself again, to dip my fingertip into the encrusted pool of the wound. I write to become someone else, that better, smarter self that lives inside my dumbstruck twin. I write to invite the voices in, to watch the angel wrestle, to feel the devil gather on its haunches and rise. I write to hear myself breathing. I write to be doing something while I wait to be called to my appointment with death. I write to be done writing. I write because writing is fun.