Archive for January, 2009


MFA Notes: Stephen Kuusisto

Who better to implore us to listen than Stephen Kuusisto, a writer who has experienced much of the world through four of the five senses?  Steve, though blind since birth, uses rich imagery and visionary similes in his poetry and memoirs.

Steve’s guide dog, Nira, is trained in “intelligent disobedience,” that is, if she receives a command from him that does not correlate with safe action (e.g. he says “forward” and intends to walk into a street with oncoming traffic) she is taught to disobey.  He mused how we, as writers, must practice a form of intelligent disobedience.

If we were to approach writing (and life!) with active ears and active listening, how much would we gain?  Even the old motto for writers, “Show, don’t tell,” implies the visual.  What about the scents, textures, tastes, and of course, the sounds?

I continue to recall his statement, “[I] stay still because I can hear…”  It reminds me again of the absolute patience necessary to tell any story.

Steve posted his entire talk on his blog, Planet of the Blind:  The Art of Listening.

MFA Notes: David Long

David Long suggested that there are always two strands to a story: 1) the story we’re telling and 2) the rendering or shaping of that story. “We don’t always give enough attention to the second half of that,” he said.  There is a difference between what happens and what it’s about.  “As storytellers we’re concerned with the conveying of meaning in a very specific sort of way.”

He reminded us to “Crank it another crank.”  Too often, we stop short (i.e. we must go deeper into the core of the story).

Each story has a beginning, middle and end.  David discussed the psychological states of each.  The beginning is associated with ignorance, skepticism, curiosity or seduction.  The middle has a deeper sense of bonding with the characters, a more educated sense of curiosity and deep absorption.  The ending has elements of amazement, fulfillment, relief and joy, or disengagement and melancholy.

As readers, David noted, we tend to race to the end of novels.  “What we’re racing towards is the end of our pleasure.”  Seems a good thing to keep in mind in the telling of our stories.

Wake Up Women is a Bestseller!

Wake Up WomenWake Up Women: Be Happy, Healthy & Wealthy reached the Top 10 Bestseller List at Barnes & Noble this week.  The book is a compilation of inspirational writing by over 50 female coaches, doctors, entrepreneurs and investors, including Terri Amos-Britt, Arielle Ford, Loral Langemeier and Debbie Allen.  It includes sections on relationships, emotions, health, career, wealth and spirit.

My chapter, “Step by Step to Your Personal Destiny,” is in the career section.  Having met many of the women writers in this book, I am thrilled to be a part of it and encouraged by the overall success it’s seen thus far.  There is something magical about women coming together, lifting our voices (or pens) to share from our lives with the hope of encouraging and empowering other women.

Please order your signed copy today from the Awaken Consciousness Shop!

MFA Notes: Mark Spragg

Mark Spragg reminded us to take the time, in editing and revising, to ensure that our characters stay true to themselves.  Not to the action we, as writers, think they will take or want them to take, but to remain within the boundaries of who they really are.  “I already know how I hold them in my mind,” he said.  “I do not know how they will present themselves on the page.”

If the writer fails to do this and allows dialogue or action into the story that goes against a character’s nature, even if it decidedly moves the story forward, it jolts the reader out of the “dream” and they lose faith in both the character and the writer.

This is particularly important when pulling research into a work of fiction.  The characters “need to live it, not report it” as we writers would.

famous poets converge

so there I am in small town Oregon, heading west along highway 30 and I’m crazy-thirsty.  I stop at the next gas station to buy something, anything, to cease the parch.  the cashier is ringing up my purchase when Ellen Bass and Marvin Bell step inside from the rain. truth be told, this was easily explained by the fact that we were all on our way, by various means of transport, to Seaside, OR for Pacific University’s MFA residency…  but still, there was a moment of magic, as if they dragged their muse along and she had entered the store.